No matter how many
Opus 88
pens go through my hands, time and time again I'm impressed with their fun
designs and impeccable quality! I particularly enjoy seeing their demonstrator
models whenever they come up with a new model, those always inevitably pop up,
though sometimes only after a while.
In the case of the Opus 88 Jazz, it took them a short while to move on from the
translucent tortoiseshell acrylics they first released this model in, but
they did make up for the lost time by immediately releasing two demonstrator
versions instead of one: The Opus 88 Jazz 'Clear', and the frosted
Jazz 'Holiday Clear'! My thanks go out to Opus 88 for sending me both pens to check out!
The Design of the Jazz is possibly one of the most 'classic' approaches to a
fountain pen that we've seen from Opus, yet. It takes after traditional cigar-shaped pens, with a slightly tapered bulbous shape and large rounded finials. In fact, it has some likeness to the
Penlux Masterpiece Grande I reviewed not too long ago (HERE).
The Jazz features a bit more ornamental trims than you typically find on an
Opus pen, with a decorative band on the cap, above the clip (separate from the
ring that actually connects the clip to the cap) and above the blind
cap.
The rounded center band is a new addition for Opus 88, and its minimal logo
engraving perhaps looks a bit empty on the standard opaque colorways of the
Jazz - but it does match to the clean look of the demonstrator versions, I find.
The teardrop-shaped clip with knurled sides makes its return from one of the
first pens that kicked things off for Opus, the Koloro.
I firmly expected Opus to follow their current trend of releasing demonstrator
pens with matte black trims, but the Jazz is the exception to that rule, with
standard silver-colored trims. This once again adds to the more classic design
of the Jazz, and it's not a bad choice IMHO, if not that it does make it the odd one out when put next to the Demonstrator and Omar Demonstrator.
The Jazz 'Holiday Clear', which is the frosted/matte version of the Jazz
demonstrator (I don't quite understand the reasoning behind the name?) gets
ruthenium-colored trims - though polished, so still not quite like the matte
black trims of the other Demonstrator pens. All demonstrator pens from Opus
already come with frosted innards, though the addition of a matte finish on
the outside gives the Holiday an even more uniform and opaque look, contrasting strongly with the polished, dark trims. Of course, the biggest
difference is how the Holiday Jazz FEELS in the hand, the soft matte surface texture sets it apart completely from the other versions. The matte finish is
quite uniform across the entire pen, living up to the excellent construction
standards of Opus, once more.
L to R: Leonardo Momento Zero Grande Pura, Penlux Masterpiece Grande, Opus 88 Omar, Demonstrator, Jazz, Montblanc 149, Pelikan M805, Lamy Safari, Lamy 2000 |
It's no secret that Opus 88 likes to create large -very large-, oversized pens, so it'll come to no surprise that the Jazz is also a very big pen. Though, even besides the already large Demonstrator and Omar, the Jazz is still a decent bit longer. Strangely though, because of the more streamlined design, it doesn't feel too big (though of course that boils down to personal preference!).
At 15.1 cm/ 5.95", it's unapologetically oversized, though, that's more or
less a given with Opus. Without the cap, you're left with a pen that's
13.3 cm/ 5.24" long, which is more than comfortable for even a large hand. If
you're feeling adventurous, you could still post the cap, though it doesn't
post awfully deep so you'll end up with a ridiculously long pen! At 28 grams,
the Jazz is surprisingly quite a bit lighter than the smaller Opus 88 Omar.
L to R: Opus 88 Demonstrator, Omar, Jazz |
The section design of the Jazz is again (almost) identical to those on
a lot of their other pens: a decently sized section with a nicely pinched
taper that transitions smoothly into the threads. There's a bit of a step
behind the threads and it can be quite sharp depending on how you hold the
pen, a bit unfortunate on an otherwise very comfortable pen!
The barrel size of the Jazz is visibly shorter than the Demonstrator and Omar |
Interestingly, despite the Jazz being the largest of the three, it still loses
to the Demonstrator and Omar when it comes to ink capacity. You can actually
see that the barrel part of the Jazz is noticeably shorter, likely due to the
proportions of the pen.
Now admittedly, 3 mL is hardly anything to scoff at,
but it is indeed less than the 3.5mL of the other two models. The Japanese eyedropper
filling mechanism continues to be a fantastic trade-off between huge ink
capacity, while still keeping a practical advantage over traditional
eyedroppers.
Compared to the last Opus 88 pen I reviewed -the
Opus 88 Flow-, the Jazz returns to the camp of JoWo for the nib choice (in fact, all
demonstrator models so far have exclusively used JoWo nibs). An excellent nib
choice that also implies that this pen should be suited for conversion to a
Pilot parallel nib (a fun feature I've discussed extensively in my
review of the Omar). The broad nib I tested on the Jazz Clear worked flawlessly out of the box,
and pairs great with the large ink capacity Japanese eyedropper.
The
Opus 88 Jazz
takes all the elements that I've liked before -and continue to like- about
Opus' oversized, demonstrator, Japanese eyedropper-filled fountain pens, and
crams it into a design that's actually remarkably traditional and 'normal'
(for their doing). Their interpretation of a classic cigar-shaped fountain pen
works well, even though it's not quite as eye-catching as the more unique
styles of the Omar, Flow, or Bela. It's an inoffensive design and it works
especially well in these two clear demonstrator finishes. As always, one of
the main reasons of appeal for me continues to be the competitive pricing of
Opus pens: for 108€/ 104$
(at site sponsor Appelboom, use discount code 'friend' for 10% off!), you really do get a whole lot of pen for your money!
Note: This product was sent by Opus 88, so I could write this review. I was in no way influenced in the making of this review, the opinions shared in this review are completely my own! This post does not contain affiliate links.
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